Content & Production
Inside Vaunt’s content system
From the first brief to daily publishing: how we produce Vaunt’s content and measure what happens next.

October 9, 2026
Andrew Moullin
11 min read
Short answer: For Vaunt, a private aviation membership app, our system runs in five stages: a written brief, a recurring on-camera presenter, one 90-minute shoot a month edited into about 26 assets, daily posting on TikTok, Instagram, Facebook and YouTube with fixed checkpoints, and a weekly review of every post against Vaunt’s own daily new-user report. Production and posting run on fixed, written rules (though our audit found gaps there too).
Measurement is the weak stage: we can show when Vaunt’s new users rose and which posts went out that day, but not yet which post brought which user.
Who this walkthrough is for
This is for founders and marketing leads who are considering a managed creator-led program, or building one in-house, and want to see the mechanics on a real account. The practical stakes are the ones every content program faces: daily posting that slips when one shoot is missed, approvals that hold up the schedule, and a monthly report that cannot tell you whether the content is bringing in customers.
Each stage below shows the control we use for one of those risks, and where it has failed. If you are comparing costs, read How Much Does Creator-Led Content Cost? first.
What this walkthrough covers
The client is named with permission. Vaunt sells private aviation memberships through a free app. SGNL produces and publishes Vaunt’s organic content. Vaunt’s Meta ads are managed by a separate agency, Finding Valence, and David Dickson of Button Up Management produces Vaunt’s daily new-user report. This article describes SGNL’s part.
Figures are activity only. The article reports new users, view counts and connected calls where they are verified, with dates. It contains no sales, revenue or ad spend figures.
Correlation stays correlation. Several figures below line up in time with posts. None of them proves a post caused new users, and I say so each time.
Several procedures are recent. We wrote most of these procedures down in late September and October 2026, and some are still marked draft until I approve them.
SGNL sells this kind of program, so this is also a description of our product. I have included the parts that are not working well yet.
Stage 1: The brief
Every account has one client page. It is the single place that says how the client works and links to everything else. The brief section asks for what the client sells, who the audience is, the conversion event (what a viewer should do), the funnel and website, the contracted posting cadence, competitors or references, claims that need expert review, the shoot model, and a link to the brand’s voice and positioning document.
The same page holds voice rules. For Vaunt, as for all clients, these include no em dashes, hashtags chosen for the target audience on every post, no emojis except a pointer on the final call to action, and no filler.
What our audit found. When we audited Vaunt’s client page on September 30, 2026, the offer, audience, conversion event and funnel fields still read “TBD”, while the account was posting every day. Vaunt’s measure of success was recorded, but on a separate Notion page: Vaunt judges content by comments, connected calls and sales, and treats views as a vanity metric. A brief that holds that measure in one place puts it in front of the editor and scheduler as well as me.
Those fields are now open questions on the client page, and under our onboarding procedure a new client is not marked ready to post until the brief is complete. A brief with blank fields costs you twice: the team makes content without knowing what counts as success, and the review afterwards has nothing to measure against.
Stage 2: The on-camera talent
On Vaunt’s account the person on camera is one recurring presenter who works with Vaunt and is not on SGNL’s staff. Across SGNL’s other accounts, the usual model is that the founder or an expert is on camera. A recurring face matters, in my judgment, because viewers learn to recognize the person; the practical point we can show is that one person carries a month of content from a single 90-minute session.
Our documents do not describe a process for recruiting and rotating outside creators for this account’s organic content. If you want a program that sources dozens of creators, this walkthrough does not describe that; How to Vet an Influencer covers the checks for that model.
Whoever is on camera, the disclosure rules apply. Under the FTC’s Endorsement Guides (revised 2023), a material connection between an endorser and the brand, such as payment, has to be disclosed clearly where viewers will see it, and advertisers are expected to monitor this.
Stage 3: Production
The shoot. Once a month the presenter sits for a 90-minute capture session, which gives us 25 to 30 platform-native assets; the target on our project board for Vaunt is 26 a month. The October 2026 session was on Saturday, October 3, at Sparkman’s Wharf in Tampa. Footage was due to our editor on October 4 and the first posts on October 6.
Editing. Our standard turnaround is about 72 hours per video, or about 24 hours when edits are batched.
Files and versions. Every edit is uploaded to Frame.io as a version, never as a new file. Each asset gets an ID built from the client code, the year and month, and a running number, such as VNT-2610-014, and file names add a short description and a version number. Names like “final” and “final-final” are not allowed. IDs are never reused. This matters later: the ID is what lets us match a post in Vaunt’s feed to a row in our catalogue and to a day in the new-user report.
Approval. Each asset moves through a fixed pipeline: Raw, Editing, Internal Review, Approved, Scheduled, Posted, with Blocked for anything stuck. Internal Review is the only approval gate. I am the approver, with Stephanie, our CEO, as backup. “Final” means only the exact version I have marked Approved in Frame.io. Vaunt does not approve individual posts. That keeps a daily schedule moving, and it puts responsibility for quality on us.
Stage 4: Posting
Vaunt posts daily on TikTok, Instagram, Facebook and YouTube. At our September 30, 2026 audit, the account had about 213,000 followers on Instagram and about 81,000 on Facebook (logged-out counts, approximate). The day has four fixed checkpoints, all Eastern Time:
4:00 PM the day before. Confirm the file is approved (the exact version), the caption is final, the post is scheduled, links work, and any required review is done.
10:30 AM on the day. If a post is still not approved and scheduled, swap in a pre-approved evergreen asset (a post that is not tied to a date and can run any day) and move the original to a new date.
12:00 PM. Hard go-live on every platform.
12:15 PM. Check every live link, record the live URL in our content catalogue, and mark the asset Posted.
We track runway, meaning the number of days of approved, scheduled content ready to go: three days is the floor and seven is the target. Those numbers are our own rule, set so that one missed shoot or late edit does not empty the schedule. On September 30, 2026, Vaunt’s board showed six of the next seven days covered.
What our audit found. At the end of September, Vaunt’s account had no evergreen backups recorded, and the miss log had not been created. Our project board still showed an old three-posts-a-week rhythm and listed LinkedIn, which is not one of the four contracted platforms. The swap rule only works if the backup exists, so we now treat an empty evergreen bank as a failure in its own right.
One missed post costs a day. A run of them, unlogged, is a pattern nobody can see or fix.
Stage 5: Measurement
Weekly review. Each week we pull views at 72 hours, shares, saves, and watch and skip data per platform, and confirm every posted asset has a catalogue entry and a live URL. Posts younger than 72 hours are not judged, so every post is compared at the same age. Each older post gets one of four verdicts: Winner, Neutral, Test again or Retire. Unknown values are left blank, not entered as zero.
Vaunt’s own scoreboard. Since January 13, 2026, David Dickson of Button Up Management has sent a daily report of Vaunt’s new app users from Vaunt’s dashboard. Each new user is followed by phone number through downloads, messages, responses and connected calls. We did not build that report, which is useful: it is a count we cannot shape. Stitched together, the reports give a daily series from January 7 to October 3, 2026: 181,151 new users in total, a peak of 4,407 on January 14, an average of 1,745 a day in January and 419 a day in September.
What the numbers line up with. These are timing matches, not attribution:
July 9, 2026. A TikTok on Vaunt’s account reached 1.2 million views (TikTok views verified in our October 4 accuracy audit). Vaunt recorded 1,978 new users that day, 2.94 times the prior 7-day average. New users were already rising on July 7 and 8, ads were running, and a re-post of the same video on July 14 (44,300 views) showed no lift.
June 14 and 15, 2026. Two TikToks with 291,100 and 597,500 views went out. New users averaged 553 a day from June 15 to 22, against 365 from June 7 to 14.
Ordinary posts. From June to September, days with a post logged in our audit averaged 480 new users and days without one averaged 504. Daily posting on its own does not separate from the baseline in this data; only the outlier posts do.
January. We do not know what drove the January peak. Our content audit does not cover January posts, and the daily report started the day before the peak.
What the measurement cannot show yet. This is the weakest part of the system:
No source split by day. The daily count includes users from organic posts, paid ads and everything else, and we cannot separate them.
Organic and paid overlap
Paid Meta ads ran throughout the period; Finding Valence manages them now, after taking over from a previous agency. Its post mortem lists one change outside our work that lines up with a rise: six ad sets turned back on on August 18, 2026, after which new users went from about 275 a day to about 485 (Finding Valence, October 9, 2026; correlation).
Some views cannot be verified. Our audit captured public data while logged out. Only TikTok and YouTube views could be verified that way, and about 23.5% of the views recorded in our content library sit on those platforms.
Posts are not tagged. Without a unique keyword or link per post, we can see daily totals and which posts went live each day, but not which post a given user saw.
What we are changing. From the October 3, 2026 shoot, each post is planned to carry its own keyword or link. The other changes we need sit partly on Vaunt’s side: a daily new-user export split by source, a written log of every change in the paid account, and per-post metrics from Meta’s own analytics so Instagram and Facebook views can be verified. I will report on these once they produce data.
Tradeoffs in this design
A single approver is a bottleneck. Having one person approve everything keeps the standard consistent, and it also means work waits when that person is busy. We have proposed a rule that anything waiting more than 24 business hours goes to the backup approver; it is not yet adopted.
Daily posting needs a large runway. Posting every day on four platforms means a missed shoot shows up within a week. The runway floor and the evergreen bank exist because of that.
The client does not approve posts. This keeps the schedule moving and puts responsibility for quality on us. It only works if the brief and the review rules are clear enough that the client trusts the output, which is why the brief comes first.
A monthly shoot limits topicality. One session a month produces a month of assets, which is efficient, and it means reacting to news inside the month needs extra capture.
Next step
If you are building something similar, start with the brief and the measurement plan, not the shoot: decide your conversion event, and set up per-post tagging before the first post goes live. For how to structure tests within this kind of system, see How to Build a Creative Testing Plan. To hold any agency to the same standard, including us, use the questions to ask before you hire.
For SGNL’s managed content service, see SGNL’s services.
Sources
SGNL Media internal documents (not public). client page for Vaunt (draft, September 30, 2026; updated October 2, 2026); standard operating procedure outlines for daily posting, approval, asset naming, new-client onboarding, weekly stats review and backup swaps (drafts, September to October 2026).
SGNL Media, flyvaunt content audit (logged-out capture, September 30, 2026) and content-library accuracy audit (October 4, 2026). Not public.
Vaunt daily new-user reports from Vaunt’s Looker/Data Studio dashboard, prepared by David Dickson of Button Up Management (January 14 to October 4, 2026), stitched into a daily series in SGNL’s case-study files (October 4, 2026). Not public.
Finding Valence, “Vaunt Meta Ads Post Mortem. September 2026,” October 9, 2026. Prepared for Vaunt; not public.
Federal Trade Commission, Guides Concerning the Use of Endorsements and Testimonials in Advertising, 16 CFR Part 255 (revised 2023), accessed October 9, 2026. https://www.ecfr.gov/current/title-16/chapter-I/subchapter-B/part-255
About the author
Andrew Moullin is co-founder and Creative Director of SGNL Media, where he leads creative and strategy and is the approval gate on every asset. SGNL is a four-person team: Stephanie Moullin (CEO and co-founder), Andrew, an editor and a scheduler. Before marketing, Andrew played professional soccer for San Antonio FC and Atlanta United 2, then coached.
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